Showing posts with label afro-caribbean. Show all posts
Showing posts with label afro-caribbean. Show all posts

Saturday, November 02, 2013

tato laviera is dead

Hispanic New York: Tato Laviera, Prominent Nuyorican Poet, Is Dead This makes me sad. When I was in college I discovered Tato Laviera's poetry and it played a big role in my thinking about what it means to be Afro-Latino. I even organized an event to bring him to campus and got to spend a chunk of time with him. He's apparently been sick for a while with diabetes and unconscious. Rest in Peace. Inna illahi wa inna ilayhi raji'un.

Thursday, January 12, 2012

black and latino



What does it mean to be black and Latino in the U.S.? Featuring interviews with Latino actors Laz Alonso, Tatyana Ali, Gina Torres, Judy Reyes, singers Christina Milian and Kat DeLuna, journalist Soledad O'Brien and others.

Friday, December 09, 2011

"afro-trini muslims are zealots"

In a recent interview with the Trinidad Guardian, Imam Hydal (of the Ahmadiyya community) discusses Islamic extremism in Trinidad & Tobago. His comments are interesting but I wish he had been more responsible in his words. He frames the problem of extremism in very binary terms. On the one hand you have good "docile" Desi Indo-Trini peaceful Muslims. And on the other hand, you have extremist Saudi-trained zealot convert Afro-Trini Muslims.

The interview raises all sorts of issues in terms of racism among Muslims, ownership and authority in Islam, "traditional" interpretations versus "Salafi/Wahabi" interpretations, and other questions. It will be interesting to see if the story sparks a thoughtful response in the Trini media.

Tuesday, February 01, 2011

poetic pilgrimage - silence is consent

I think the song itself is from last year, but the video gives the words a new relevance in light of what is going on in Egypt, Tunisia, Yemen, etc. these days:



Wikipeida: Poetic Pilgrimage
Raw Deen: Interview with Poetic Pilgrimage
Blog: Poetic Pilgrimage

Wednesday, March 10, 2010

check both! / ¡chequea las dos!

CAMPAIGN TO INCREASE THE AFRO-LATIN@ COUNT ON THE 2010 CENSUS

(New York, NY) In an effort to achieve an accurate count of Afro-Latinos in the United States Census, the nonprofit afrolatin@ forum has produced a series of public service announcements that call on Latinos of African descent to identify as both Hispanic and Black on the 2010 form. By proclaiming “Check Both!/¡Chequea las dos!” the bilingual spots highlight the importance for Latin@s of African descent to self-identify as such on the Census.

The count has far-reaching implications, determining how $400 billion in federal funds are distributed to local governments each year. Over 10 years, a community could lose a projected $1.2 million of federal funding for housing, health and education programs for every 100 persons that are not counted, according to the NAACP. Studies have established that despite a higher educational level, Black Latin@s are more likely to live below the poverty level than other Latin@s and have the highest unemployment rate.

Afro-Latin@s and Census 2010
Yo Soy
Y Tu Abuela
Facts

Sunday, January 31, 2010

a political ideological perspective for afro-latinos

Black Thoughts: A Political Ideological Perspective for Afro Latinos by Kevin Alberto Sabioi is a brief overview of Pan-Africanism/ Afro-Centrism/ African Internationalism as it applies to Latinos along with some specific links and references.

Friday, June 06, 2008

rise of the latin africans

hat tip to Tariq Nelson:

The Newsweek article, Rise Of The Latin Africans: A new black-power movement in Central and South America gives a quick overview of how different communities of people of African descent in Latin America are acting to improve their lot in Honduras, Ecuador and especially Colombia:

The epicenter of the new black activism [...] is Colombia. That's due as much to circumstance as design: more than a third of the 3.2 million Colombians uprooted by the country's long-running civil war are of African ancestry, as are many of the ragged street vendors and beggars who approach motorists at busy Bogotá intersections. Foreign and local NGOs are now working hard to publicize their plight. Though a landmark 1993 law enshrined the right of Afro-Colombians to obtain formal title to their ancestral lands, including 5 million hectares along the Pacific coast—a unique experiment in ethnic self-government—implementation has lagged, as unscrupulous agribusinesses and paramilitary warlords have seized communal property with near impunity. But recently, as part of its ongoing effort to win U.S. approval for a free-trade agreement, the government of President Alvaro Uribe has begun to expel these companies and restore 8,000 hectares of stolen land to Afro-Colombian community councils.

Wednesday, May 07, 2008

no le pegue a la negra (rebelion)

At first I was going to argue that Joe Arroyo's Salsa classic, No le pegue a la negra, was too understated in terms of criticizing racism (along the lines of Ismael Rivera's Negro Bembon). But then as I started to get this blog entry together I changed my mind and decided that it has more of an "edge" to it, but it still isn't at the level of I Shot the Sheriff.
Quiero cantarle mi hermano un pedazito de la historia negra, de la historia nuestra caballero y dice asi: En los anos 1600 Cuando el tirano mando Las calles de Cartagena Aquella historia vivio Cuando aqui Llegaban esos negreros Africanos en cadenas Besaban mi tierra Esclavitud perpetua (coro) Esclavitud perpetua Esclavitud perpetua Que lo diga Salome Ucatele Eh. Chango, Chango, Chango, Chango. Un matrinomio africano Esclavos de un espanol El les daba muy mal trato Y a su negra le pego Y fue alli Se revelo el Negro guapo Tomo venganza por su amor Y aun se escucha en la verja No le pegue a mi negra (coro) No le pegue a la negra No le pegue a la negra etc.
see also: negro bembon mami el negro esta rabioso (el africano)

Monday, March 03, 2008

negro bembon




Mataron al negro bembón
Mataron al negro bembón
Hoy se llora noche y día
Porque el negrito bembón
Todo el mundo lo queria
Porque el negrito bembón
Todo el mundo lo queria

Y llegó la policia
Y arrestaron al maton
Y uno de las policias
Que tambíen era bembón
Le toco la mala suerte
De hacer la investigación
Le toco la mala suerte
De hacer la investigación

Y saben la pregunta
que le hizo al maton
Porque lo mato
Diga usted la razon
Y saben la respuesta
que le dio el maton :
yo lo mate
por ser tan bembón
El guardia escondio
la bemba y le dijo :
Eso no es razon



I was recently thinking about the ways in which race shows up in Latin music when the song "Negro Bembon" by Ismael Rivera popped into my head. The song makes me think of how Afro-Latinos in Latin America didn't really undergo US-style civil rights / Black power movement. So instead of making a loud and angry statement like NWA's "F*** tha Police" or a righteous and defiant statement like Marley's "I Shot the Sheriff", "Negro Bembon" gives us the muted and insufficient "Eso no es razon" from a Black cop who, even with a gun and badge, is still not strong or brave enough to truly challenge a racist system. Occasionally I wonder if the song's refrain is deliberately understated as way of making a powerful social critique, but most of the time I tend to think that the voice of protest is so muted because certain white supremacist assumptions are pervasive and taken for granted in Latin culture, even in the music of Afro-Latino artists like Ismael Rivera.

tego calderon: latin america needs its own civil rights movement
a rising voice: afro-latin americans

Sunday, October 21, 2007

rasheed ali & rain people

I don't know if Rasheed Ali is Muslim but he is a musician who identifies as Afro-Caribbean and whose musical influences extend from Africa to all over the diaspora. I was drawn in to him through an article on his blog called: The African in Puerto Rico: An Overview

To read more of his thoughts and listen to his music, check out:
Myspace: Rasheed Ali & Rain People
CD Baby: Rasheed Ali & Rain People
Blogspot: One Tribe, Many Voices
Spanish blog: Una Tribu, Muchas Voces